The SQUASH Knob
One macro drives the entire four-band section: thresholds sweep −20 to −45 dB, makeup rises to +6 dB, releases speed up at the top. The loudness war, on a dial.
That glued, confident, impossibly-loud FM sound is a rack of broadcast gear fighting the loudness war at the transmitter site. Airchain packs the entire rack into one plugin — and gives you one glorious knob to turn: SQUASH.
It isn't an accident — it's a rack of processing gear between the studio and the antenna. Airchain models every stage of it, in order, and points the whole thing at your mix.
The patient studio engineer that rides your levels before the fireworks start.
The classic broadcast trick that tames spiky vocals before they hit the limiters.
L / LM / HM / H compression, all driven at once by the SQUASH knob — with live gain-reduction meters.
EU 50 µs / US 75 µs — the real reason radio highs shimmer like that.
Oversampled. Loudness, density, attitude — ceiling respected.
Hiss, pilot tone, flutter and blend — from pristine signal to pirate station three hills away.
One macro drives the entire four-band section: thresholds sweep −20 to −45 dB, makeup rises to +6 dB, releases speed up at the top. The loudness war, on a dial.
Low, low-mid, high-mid and high bands squashed in parallel, with live gain-reduction meters so you can watch the loudness war happen.
Genuine 50 µs (EU) and 75 µs (US) pre-emphasis curves — the boost real transmitters apply, and the reason radio highs shimmer.
Loudness, density, attitude — with oversampling keeping aliasing down and the ceiling respected. Six samples of latency, correctly reported.
Hiss, 19 kHz pilot tone, flutter and multipath blend — dial in anything from a pristine signal to a pirate station three hills away.
Press ? and any control under your cursor gets spotlit and explained in plain English, with the actual numbers underneath. No manual required.
Every preset is loudness-matched, so switching compares character, not volume. Your ears stay honest.
A time machine — from warm 1970s gold through the full-tilt 1990s CHR loudness war to today's streaming-safe conservative sound.
Instant atmosphere for lo-fi, synthwave, vaporwave and film cues — distance, hiss and flutter on tap.
The serious tools hiding inside the fun ones — for mastering checks and bus processing.
No subscription. No dongle. Buy once, use it everywhere.
Tested 44.1 – 192 kHz, mono and stereo. 6 samples latency, correctly reported. Passes Apple's auval plus an automated DSP test suite — flat crossover, exact emphasis null, bit-exact silence.
The entire FM airchain, pointed at your mix — for €19.
The Squaresmile suite
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